Macro

One of the lenses I've done recently is the 90mm macro that I use for the photos below. I met this little man in a friend's garden and he sat there for a long time and allowed me to take a photo. It seems the plague does not know you until you move right away. I remember reading somewhere that they saw only moving objects with their eyes. Still stuffed or slow. No, it's interesting to see where that spot is coming from, and I know they have their feet. But they know they have hair.

The biggest problem when shooting is small, so it's about concentration. As you can see, this is not everything. The pitch of the pitch is very low so you should use the lowest depth possible. Set the speed of the camera at the speed priority and the maximum speed at the lowest speed that does not display camera movement (with a 90mm lens, 1/100 second) to ensure that the camera chooses the smallest aperture. You also have to pay attention to where you focus, not to focus on the nearest point, because it loses the depth of the value of the Adjustable field. It can be assumed that some of the objects near the lens. However, in the foreground, over-focus will look bad when something out of focus is unacceptable. The answer is always to take more than one goal and change focus. Set the camera to emphasize the hand-held fireplace and try your hand at the old art of highlighting the camera yourself. Awesome stuff!