Chances are that you are reading this article because you tried to take pictures in the snow and you ended up with turbulence under the cover. This is because you left the camera automatically and did not make any affected payments.
When you let the camera calculate the exposure itself, try to read all the colors and colors of the scene and insert it in gray. Anything that suits gray means that if you add all the values of all the colors and sounds, and you are on average, you will get to the center of the blue color. This system works better than 90% of the photos. Imagine a spectacular view of the sky, some saplings and a little dirt, and some in the middle. Add all the tones and you will get almost half the gray area all the time.
Obviously, the system has dropped by 10%, and if you are a creative photographer than others, and someone who does not have the most extraordinary image, you can see that it is getting worse. Despite the additional measurement mode in a better camera, what is in the center of the cameras in the snow is too imposed due to extreme levels of contrast, especially on a sunny day.
Look at the picture on the right: men in dark clothes, mostly in the shade and sunny. It is difficult to imagine a scene with many contradictions.
Ski The camera alone will try to show as much detail as possible, especially in the highlights. Under normal circumstances, it is exactly what we want.Nothing worse than the highlights. Basically, I will not see the details in the shadow of the image, instead of highlighting it.
But the snow is exempt from the law, we see that the snow is white, we want to see some details, if possible, but we are willing to accept the white background in the image, we want to see more in the person and the things that we are photographing.
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